Relaxing MusicIndian music · the raga clock

Raga Clock / Rooms / Morning

A time of day · about 7–11 am

The morning roomप्रातः

Ahir Bhairav, Bilaval and Todi, as the day opens.

Ragas here: Ahir Bhairav, Bilaval, Todi

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Morning: a sitar resting on a cushioned marble seat in a sunlit palace courtyard

As the sun climbs, the music opens out. Ahir Bhairav keeps Bhairav's flat Re but softens the upper notes. Bilaval is the plain, bright scale that Bhatkhande's system takes as its reference, with the same notes as the Western major scale. By late morning comes Todi, one of the most admired ragas of all, tender and searching.

Ragamala painters loved Todi. She is usually shown as a young woman alone in a forest, playing a veena, while deer step out of the trees to listen.

The ragas of the morning

Ahir Bhairav अहीर भैरव

Early morning · about 6–9 am
Parent scale (thaat): Usually filed under Bhairav

Going upSa Re Ga Ma Pa Dha Ni SaComing downSa Ni Dha Pa Ma Ga Re Sa

Bhairav's lower half joined to an upper half like Kafi's, with shuddh Dha and komal Ni. It fits none of the ten parent scales exactly, so books file it under Bhairav for convenience.

Traditionally described as gentle, reflective, warm.

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Bilaval बिलावल

Morning · about 8–11 am
Parent scale (thaat): Bilaval

Going upSa Re Ga Ma Pa Dha Ni SaComing downSa Ni Dha Pa Ma Ga Re Sa

The reference scale of the parent-scale (thaat) system, with the same notes as the Western major scale, and a bright morning raga. The version most often heard, Alhaiya Bilaval, adds a touch of komal Ni coming down; the clock uses the plain scale.

Traditionally described as bright, open, cheerful.

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Todi तोड़ी

Late morning, the second watch of the day · about 9 am–12 noon
Parent scale (thaat): Todi

Going upSa Re Ga Ma Dha Ni SaComing downSa Ni Dha Pa Ma Ga Re Sa

Miyan ki Todi, the Todi most people mean, is a late-morning raga of tender, plaintive phrases. Pa is usually skipped going up; how it is used coming down varies by lineage, from a light touch to a resting note. Ragamala paintings often show Todi as a woman playing a veena in a forest, with deer drawn to the music.

Traditionally described as tender, plaintive, deep.

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How to read the notes: an underlined note is komal (flat), Ma with a mark (Ma) is tivra (sharp), and a dot below or above means the octave below or above.

▶  For the morningMore in the library
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Play Todi yourself

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In a morning mood

From our channel: a morning gat, the composed section that follows a raga's slow opening.

Editorial portrait for Raga Todi: a woman playing a veena by a forest pavilion, a spotted deer listening
Where sources differ

"Todi" can mean several related ragas; the one here is Miyan ki Todi. Most sources place Bilaval in the morning, but the Bilaval family also has ragas for other hours. Ahir Bhairav doesn't fit any of the ten parent scales neatly, so books file it under Bhairav for convenience.